Some
Kathamrita translations done four years back...
.
Ramakrishna
Kathamrita. Vol. II. Narendrapur edition. 644.
March 1884.
I
provide cultural analyses from time to time vis a vis things/statements that
are made in the text, either by Thakur or the devotees. That makes it
interesting for me to translate, and I feel that perhaps such analyses would be
helpful and interesting to those who are outsiders to Bengali culture.
Also,
whenever words are in italics they stand for my interpolations, for other
possibilities of translations, more literary translations, than the ones I have
otherwise provided)
Narendra
o nastic mot. Ishwarer karya o Bhisma Dev.
March, 1884.
Narendra
and Atheism. The Way of God and Bhisma Dev
(Dev meaning great soul, like Chaitanya
Dev or Ramakrishna Dev. In popular Bengali parlance, “Dev” is assigned to all
great souls and “Devi” to women, who are considered extraordinary. In
literature for example, a woman of outstanding literary merit or achievement
would be called “Mahasweta Devi” or “Ashapurna Devi.”)
Why God is still not having compassion (or showering his grace) on Narendra, is
something that is perturbing Thakur. Thakur is looking at Narendra affectionately.
Narendra: I am studying the way of Atheism.
Sri Ramakrishna or Thakur: There are two ways; that
of Faith and that of Disbelief. Why don’t you take the way of Faith?
Surendra: God is just, therefore, it is expected
that he should look after his devotees.
Sri Ramakrishna: Shastra has it that those who
practice generosity ( money spent on philanthropic activities), get wealth in
their next life. But you know what, this world is His Maya, and there is a lot
that is wrong or disturbing in the world of Maya. One cannot
understand/comprehend everything. (Or,
one can never be sure that one has
understood perfectly or correctly). (Maya
stalls comprehension).
One cannot understand the ways of God. Bhisma Dev is
lying on his bed of arrows (sharasajya).The Pandavas come to see him. Krishna
comes along with them. The Pandavas soon see that Bhisma is crying. The
Pandavas say to Krishna, “How odd! Grandfather is one of the Eight Vasus. It
would be hard to find someone as wise as he is. Governed by the principle of
Maya, he too is crying at the hour of Death! Krishna says, “He is not crying for
that reason. Why don’t you ask him?” On being asked, Bhisma says, “Krishna I
have not understood the ways of God, at all. I am crying because I see that God
Himself (Ishwar) accompanies the Pandavas everywhere, yet their lives are full
of trouble! When I see this, I think that it is impossible to understand His
ways.
Suddha
Atman ekmatro atal—Sumerubat
The
ultimate Soul is very tall and utterly
still
He (Tini)
has shown me Paramatman, who is
called Suddha Atman in the Vedas,
only He is Immovable, like the Sumeru Peak, Dispassionate, and beyond Sorrow
and Happiness. There is a lot that is wrong in his world of Maya. One can never
say that a certain action will definitely lead to a certain consequence. One
cannot say anything.
Surendra (with laughter): So one should donate, so
that one will have wealth in one’s next life.
Sri Ramakrisha: Those who have money, should donate.
Addressing Trailokya he says, Joygopal Sen has money, he should give. It is not to his credit that he does not. Some
people have money, but they are miserly. Who knows who is going to enjoy their
money?
That day Joygopal came. He comes in a carriage. The
carriage had a broken lantern. A decrepit horse. A hired attendant. And for
this place ( for us here ) he brought two wasted pomegranates. Everybody laughs
Surendra: Joygopal Babu belongs to the Brahmo Samaj.
Nowadays, from what I can make out, there aren’t that many people in the Brahmo
Samaj that Keshav Chandra Sen created. Vijaykrishna Goswami, Shivnath Shastri,
had all joined the Sadharan Brahmo Samaj.
Sri Ramakrishna (laughing): Govinda Adhikary, never
kept good (competent) people in his
jatra troupe. For fear that he would have to share the credit with them (is
this a criticism of Keshav? It probably is, judging from Thakur’s comments that
follow) Everybody laughs.
I saw one of Keshav’s disciples the other day. There
was a theatre going on in Keshav’s house. I saw that he was dancing with his
son in his arms. I also heard that he lectures. Who I wonder educates (gives lectures to) the person himself?
Trailokya is singing, --“Chidananda Sindhu Neere
Premananda Lahari” (On the banks of the sea of Chidananda, there are waves of
Premananda)
After the
song ends, Thakur says to Trailokya: Please sing “Amai de Ma pagol Kore”
(Mother please make me mad).
In those days, enactment of plays in
aristocratic/well to do families, was common. The aristocracy always support
the Arts. In all cultures. That’s how the Arts survive. Shakespeare and Ben
Jonson, both had patrons. A Midsummer Night’s Dream is full of anxieties on the
part of the menials who act a play, that they should not offend the
aristocracy/the King. Because the price would be beheading. Theatres and dance
dramas were very popular in the Tagore household. All Rabindranath’s brothers
wrote songs, translated from other Indian languages, adapted classical tunes
from bandishes; and in fact, this is where Rabindranath really got to practice
and perfect his craft. This is how context shapes an artist and class helps to
heighten and develop his talents. Because if Rabindranath had not been an upper class individual, he
would not have ever had the resources with which plays could be staged; nor
could he have pursued music and language as single-mindedly. Money provides
leisure (Time; in feminist terms or in Virginia Woolf’s terms “a room of one’s
own.”). And without leisure there can be no Art.
At
Dakshineshwar with Manilal and other devotees (
trans. 6.10.2014—8.10.2014)
Today is Sunday, the 9th of March, 1884
(27th Phalgun, Shukla Trayadashi). Sri Ramakrishna is at
Dakshineshwar, seated among several
devotees; Manilal Mallik, Mahendra kaviraj of Sinthi, Balaram, Master,
Bhavanath, Rakhal, Latu, Harish, Kishori (Gupta) and Shivchandra. Girish, Kali
(later Swami Abhedananda) have not yet arrived (but it probably means that they have not yet become part of the inner
circle, or have not met Thakur yet. The following statement seems to
corroborate that). Sarat and Shashi have only seen Him only a few times.
Purna, Chhoto (younger) Naren have
also not seen Him yet.
There is a cast on Sri Ramakrishna’s hand. While
walking on the side of the rail line, and in a state of bhava, he fell down and
broke his hand. He is in quite a bit of pain (He is in a state of constant pain).
However, even in this state in he is often in
Samadhi and speaks to his devotees of the most profound and searching spiritual
matters.
One day, while crying out in a state of pain, he
passed into Samadhi. After coming out of Samadhi, he tells devotees like
Mahimacharan, “Babu, if you don’t know Satchitananda, you don’t know anything.
You need great yearning (vyakulata)
for that. I used to call upon him and say, “ Dear Lord, I am without great
spiritual sadhana (bhajan-sadhan heen),
but you have to come to me.”
That night, Mahimacharan, Adhar and Master gather
again.
Sri Ramakrishna to Mahimacharan: There is a thing
called Ahetuki Bhakti (loving completely beyond the self, loving for the sake
of the beloved without any thought of self). See if you can follow that.
Again, he tells Adhar: Will you please stroke my
hand to give it some comfort? (hard to
get an absolutely precise translation of ektu hāt buliye debe).
Today is March 9, 1884. Manilal Mallik and Bhavanath
are speaking of the exhibition that took place near the Asiatic Society. They
speak of how many kings had sent costly items as exhibits, like gold beds. They
are worth seeing.
Sri
Ramakrishna and Wealth, Riches
(Aisharya)
Sri Ramakrishna to his devotees, smiling in response
to the discussion above:
Yes, if one goes one does gain something. When one
looks at those things that Kings own, like the gold beds, other things do
wither in comparison. When I used to go to Kolkata, Hriday would show me the
Governor General’s house. He would say, “Uncle look at the massive pillars”!
Mother showed me that they were nothing but bricks piled upon bricks.
God and his Riches. The Riches are only for a few
days. God is forever (only God is true--bhagaban-y satya). The magician and his magic. People are
spellbound by the magic. But it is all false (it is all illusory); only the magician is true. The Babu (the owner) and his garden. After seeing
the garden, one should enquire after the owner (seek the owner).
Mani Mallik says to Sri Ramakrishna: And they (meaning the exhibition organizers) had installed huge electric
lights. Then we think he who has created the electric light must be so great!
Sri Ramakrishna to Mani Mallik: Another school of
philosophy ( ek mot) asserts that He has become everything. The one who is
saying all this (meaning the philosophy
maker or the one who speaks ) is
also Him (tini). Ishwar is Maya,
Jiva, and the world (jagat).
Discussion on the museum starts.
Sri
Ramakrishna and Sadhusanga (the company of sadhus): A Yogi’s Picture
Sri Ramakrishna to the devotees: I had once gone to
the museum. I was shown that brick becomes stone. Animals become stones. See,
this is the significance of the company one keeps. If one stays with sadhus,
one becomes like sadhus.
Mani Mallik smiling: If you had gone there once you
would have found matter to lecture us for ten to fifteen years.
Sri Ramakrishna(smiling) : Why for examples (analogies)?
Balaram: No, you cannot go here and there. Your arm
will not mend.
Sri Ramakrishna: I wish I could find (get) two pictures. One would be of a
yogi who has lighted a fire (dhuni),
and the other of a yogi who has lighted a pipe with opium (ganja) in it, and it lights up suddenly.
One gets excited (uddipan) seeing such pictures.
However, Yoga is interrupted (stalled, prevented) by Kamini and Kanchana (Woman and Gold). If the mind becomes pure, then there is Yoga. The
mind is in the forehead. However, its gaze is directed towards the linga,
gujhya and nabhi, or towards Kamini Kanchana. But with sadhana, the mind’s gaze
can be directed upwards (how acutely
psychological! The mind has its own gaze, which may not be the “gaze” of the
eyes).
What is the sadhana that is required to bring
“urdhadhrishti” (upward gaze) to the
mind? Sadhusanga (being in the company of saints).
The Rishis either stayed alone or lived in the
company of sadhus. That is why they could give up Kamini and Kanchana so easily
and establish yogic contact (union)
with God. There was no scope for either blame or fear.
If one has to renounce, one must ask God for
strength of will (Purushokar,
determination). One should then be able to renounce whatever one deems is
false.
The Rishis had this Purushokar (intense
determination). It is with Purushokar that they conquered the senses (Indriya).
If the tortoise once withdraws its hands and feet
into its shell, even if you cut it into four parts, the hands and legs will not
come out.
Worldly people practice deception. They are not
simple (sorol). They verbally declare
that the love God, but they are intensely drawn to material interests, to
Kamini—Kanchana, a fraction of which attraction they do not invest in God. Yet,
they profess to love God.
Towards Mani Mallik: Get rid of your worldliness (“Kapatata”—“get rid of your lack of transparency, your desire to conceal your actions, your desire to conceal your attraction for
worldly satisfaction.” My note:
“Kapatata” means that inability for complete truthfulness, or lacking the drive
to not hide the self from the world. “Akapat” or “sorol”( the word used by
Thakur to mean the opposite of “Kapatata”), is the kind of person who cannot hide his/her
inner being from the gaze of the world, who exists in a state of complete
transparency, where the bridge between inner and outer is clearly seen, or
rather there is no bridge, at all. Inner
and outer share a simultaneity of state, which is a complex of spiritual,
psychological or psychological proclivity. Sri Sri Thakur himself existed in
that state of complete and absolute honesty or transparency. To the extent,
that he could tell the Pagli (mad
woman), “Ore amar je matri yoni” or “Oh, my girl, my genitals are those of a
woman –Kathamrita, Udbodhan edition,
1041—1042. Dates: 16th April, 1886.).